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A long time ago I got some 15mm Jarvis city barricades. Perfect for WW2, perhaps Stalingrad, or Spanish Civil War. I finally got around to painting them. There are a lot of different bits on these features but it was pretty straight forward. I’ve paint almost everything on here before … except the corrugated iron. That was new. 
Brett Simpson sent through another combined scenario and battle report from the Pacific. For Crossfire of course. Australians versus Japanese at Stoney Creek. Except where noted all words are Brett’s. 
Chris Harrod and Adam Landa played my Ambushed Patrol – A Crossfire and Fogo Cruzado Scenario twice in one evening. I’ve already posted their first as Play Test 2. This was their second game of the evening. Of course it is for the Portuguese Colonial War. Summary: Intense game with thrusts and counter thrusts. Although considerably outnumbered Adam’s Portuguese Commandos successfully ambushed the Insurgent patrol. 
A key element of the Portuguese Colonial War was convoys. Either military convoys to supply fortified posts or civilian convoys travelling through dangerous areas under government guard. I’ve been building up a convoy to put on table. Both armoured cars and armoured personnel carriers using my Painting Guide for Recce Vehicles of the Portuguese Colonial War. But I’ve also been painting civilian trucks. This is a bit of a gallery of the result = Steven’s convoy. 
Chris Harrod and Adam Landa came over to experiment with my Ambushed Patrol – A Crossfire and Fogo Cruzado Scenario. So, for a few hours, we went back to the bush in the Portuguese Colonial War. It was an experiment and we learnt a bunch of things. Summary: Short and brutal game. Adam’s Portuguese successfully fought their way out of the ambush. 
An armed patrol walks into an ambush somewhere in Portuguese Africa. The action starts seconds before the bullets fly. Will the unsuspecting targets spot the danger before it is too late? This is a Crossfire/Fogo Cruzado scenario for the Portuguese Colonial War. The scenario uses a cinematic premise, i.e. start the action when there is action. 
I think the maxim “war is the continuation of politics by other means” particularly applies to insurgencies such as the Portuguese Colonial War. So I wondered how I could use Political Tokens for a campaign set in the Portuguese Colonial War. 
I got a Destroyed Mercedes model from Peter Pig. Don’t ask me why. It seemed cool I guess. So while I was painting my reconnaissance vehicles, I thought I’d paint this baby too. As a wrecked Portuguese staff car for the Portuguese Colonial War. 
I’ve had a busy week. At work and at home. But I found few hours to paint some Portuguese vehicles, mostly reconnaissance scout cars and armoured cars. All for the Portuguese Colonial War. With so many to paint I got into a bit of a production line. Here’s how I did it. 
If you didn’t know, Balagan means messy or chaotic. And lately my head has definitely been balagan. I’m trying to justify building up a Japanese force for Crossfire. I’m trying to find ways to fit the Japanese into my Official Focus of Spain, Portugal, New Zealand, and Israel. I’ve got to say, it ain’t easy. But with quite a lot of mental gymnastics I might manage it. 
John Moher’s post Modelling Japanese in Crossfire prompted me to think about the Crossfire order of battle for the Japanese. John highlights some ways where the official Crossfire order of battle is incorrect but he doesn’t write it out in full. So I set out to document a new Crossfire organisation for a Japanese Leg Infantry Battalion. Turns out it was more complicated than I anticipated. And I ended up diverging from John’s suggestions a bit. 
I’ve been musing about Japanese HMG under Crossfire. The official rules make them expensive rifle squads. Personally I challenge both the reduced firepower and increased close combat ability of these heavy machine guns. 
In World War II the Japanese issued three 5cm Mortars to every Rifle Platoon. Standard Crossfire makes the Knee Mortar rather useless. John Moher reinstates them as an effective piece of combat kit. And I do the same, but in a much simpler fashion. 
Chris Harrod and I had another game of Arthurian HOTT. This featured Chris’s Chris’s Picts on sabots to provide Big Bases. I fielded my Welsh (Cymry) with Arthurian and Reconquista Christian Elements for Big Base HOTT. I went for my traditional historical Welsh option where the religion is implicit. Chris put a Goddess on table (the Morrigan). Summary: The Morrigan was scary and my Welsh had to dance around a bit, but it turned out god was on our side and Arthur’s host took the day. 
The Spanish wargaming company escenografia epsilon make Stalingrad’s famous Barmaley fountain in 15mm. I purchased a pre-painted version and it has featured in some of my Crossfire games set on the Eastern Front. |
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